Elan was my freshmen dream. I remember our arts department meeting and being told about the different opportunities upperclassmen would offered and I knew Elan was for me. Here and now, being on staff as Layout and Design Editor I wouldn’t have guessed the expansive nature to which this publication has grown. Looking back just a few years ago at the staff members who created the books, I see that Layout and Design editor is a fairly new position.
As my role of Layout and Design Editor becomes more familiar to me and I put together the work of our Editors-in-Chiefs and all of our editors I have an appreciation of the dedication and commitment it took to hold together everything this book is for thirty years.
The old Elan books all the way from 1986, which are held together by staples, mean so much to me. I am honored to have them in archives and see the work of those from before me. Being a part of something that has so much meaning to others always holds great significance to me because I’m holding a legacy. I like to think of it like I’m pushing it forward along with the voices of all those old staff members with their own dreams, desires, and words and art from the past.
I recently got into the literary magazine for the first time. I love that I can say to my freshmen self I’ve achieved something I didn’t want to graduate without.
It’s all so astounding to see the physical evolution of Elan too. I remember studying the older books and one of my favorites has to be the Elan Winter edition from 2011, which was only five years ago, but the solid cover felt allusive to me. That edition stuck out to me because it was as if the words and art were all you needed to think about in the book. The content was enough, and I enjoyed that simplicity.
I am happy with the consistencies we’re developing as a staff and the path Elan is taking, but I love opening up the archives and seeing each unique magazine. The issues of those from the past, up to thirty years ago that I get to learn from is what makes me proud to be on Elan.
-Kiara Ivey, Layout & Design Editor

Our literary magazine, Elan has been around for 30 years, almost two of me. I imagine that through the years, with the many different staff members, editors, teachers, and readers, that this book has learned a few things. When I first came on staff and took on the position of Junior Poetry Editor, I went back through some of the older editions of Elan and tried to figure out how the editors before me picked the poems that would be in the book. I decided it wasn’t editors that picked apart poems and threw them in “yes” and “no” piles, it was the book that made the decisions. The essence and aesthetic of Elan showed me that we want poems that speak to the big and small, that can be read and understood immediately or others that need to be unpacked. It told me to look at where a poem takes my breath, where it makes me grimace, where it makes me want more, those are our poems.
My first experience with Elan was in freshman year, when I was forced to submit my first fiction portfolio for a homework grade. The story was about some kid and how he related his father to parachutes, throughout different stages of his life. Shockingly, it was titled “Parachutes.” You can read it on page 44 of Elan: Winter 2013, located on the archives page of the Elan Literary Magazine website at