April, a Poet’s Paradise

Mariah14The fourth month of the year is a time for poets around the world to rejoice. An entire thirty days strictly dedicated to the craft of poetry. I’m eager to broadcast my passion for this art form beyond just my responsibilities as one of Élan’s poetry editors, even beyond the creative writing department as a whole. Poetry is a universal vehicle of emotion and connection. And so, the craft should be readily available to the universe.

It would be unrealistic wishing for the entire Douglas Anderson student body to be as enthusiastic about National Poetry Month as I am, the tallest of any order. (But if they were, my existence on this planet would be fulfilled.) Instead, I’ll narrow my scope. This April, I hope to reach out and enlighten one non-poet and reveal poetry’s often overlooked allure. I want to shatter the dissecting lens English classes bound to poetry.

I need to prove how poetry can flip a person’s entire world—just as it did to mine.

–Mariah Abshire, Poetry Editor

Step-by-Step

Duckman13How to complete a spring book in steps:
Step 1: Find a dedicated staff who are in love with literature and art
Step 2: Make a website and reveal your publication to the world through social media!
Step 3: Open submissions and let the work come to you
Step 4: Organize the submissions and number them so it is a fair blind reading
Step 5: Read everything!
Step 5: Make staff decisions on writing and art
Step 6: Choose finalists and send writing to judges
Step 7: Now that the art and writing finalists have been chosen, you can make the order of the pieces for the actual book!
Step 8: Layout
Step 9: Layout
Step 10: Layout and upload
Step 11: Enjoy your finished masterpiece!
I wish that making a book was as easy as typing out the process, but it is not. Simply put, being in a publication takes a lot of time and effort; you really need to have a passion for what you do. When you have passion however, it makes it easier to stay organized and keep faith in what you do. That is what the Élan staff have always maintained throughout the years, and this year has been no different. We are extremely proud of our latest spring edition, and I hope that you will enjoy all the talent and hard work that has gone into creating it. The edition is on our website: elanlitmag.org We are also working on our print compilation of both the winter and spring books, so please keep an eye out for announcements related to the print book!

–Sarah Buckman, Editor-in-Chief

 

Writers’ Festival: A Place to Reconnect

Cramer12In three short days, renowned writers from across the country will converge at Douglas Anderson’s Writers’ Festival. At the beginning of the year, it seemed so far away, something to think about later, something that would happen at some point but not anytime soon. Now that it’s upon us, and we’re packing tote bags and deciding which workshops to attend, I’m reminded of my past experiences at Writers’ Fest, and how they’ve changed my perspective of writing.

My first Writers’ Fest was in eighth grade, when Joyce Carol Oates headlined. At that point, writing was a central aspect of my life, but I really didn’t understand myself as a writer. I was just excited to be in a room of high schoolers and authors that I vaguely knew about. I spent the day listening to writers speak about their craft, and slowly began to realize that I wanted to become more invested in writing.

In sophomore year, I attended Writers’ Fest again, where I went to workshops on publishing, spoken word, revising, songwriting- essentially all topics I knew about, but was too afraid to try. I learned how to ensure that my work gets noticed by editors at magazines, how to transform my life experiences into a powerful performance, how to revise my pieces in a precise manner, and how to take techniques learned in sound devices and meter lessons to explore musical poetry. I stepped out of my comfort zone, and learned so much about myself and the possibilities of writing.

In three short days, all of the planning will come to an end, and Writers’ Festival will actually happen. We will have the chance to listen, meet, and learn from writers like Richard Ford, Patricia Smith, Joseph Millar, Dorianne Laux, Rick Moody, and Sarah Kay. In three short days, these celebrated authors will teach us what it means to be a writer in this day and age. In three short days, I will be reminded again why I write, why I get excited over the structure of a sentence, why I want to read a poem over and over until the message settles deep within me, why a book lingers around me for weeks after I’ve read the last page. In three short days, I will push away all of the stress of senior year and college and scholarships and finishing school and focus on the written word, because at Writers’ Festival, that’s what matters.

To help me get ready, I’ve been reading sample works of authors attending the festival. Here are a few of my favorites. Check out the official Festival page at http://douglasandersonwritersfest.com/, where you can read bios, workshop descriptions, and register. See you soon!

–Emily Cramer, Editor-in-Chief